Old Growth
Richmond, VA
2025, Senior, Interactive & Multimedia
Project Description: Old Growth is a hand crafted, life-sized installation of a felled log and ax, molded out of clear materials, created by Laura Teele with collaborator Ethan Hansen. Made entirely from resin hardened within a life sized silicone mold, the piece is an ambitious testament to the theme of environmental connection and generational knowledge. The piece was crafted over a nearly 6 month period, which was entirely headed by the students. As the first high-schoolers included in the event InLight by Gallery 1708, the group had to work with curators, create marketing material, concepts, as well as contact local material owners, manage a budget, conduct interviews and much more. Like Laura’s other work featured in InLight, the log shares a connection between our environments and found history. The trees of Pine Camp play just as an important role to its history as the stories of the people who stayed there. Bringing awareness to other aspects of environmental conservation, including cultural and historical, strengthens connections between people and nature. Old Growth aims to advocate for the future protection of forests and the memories they hold.

Reflection
Old Growth was inspired by the history of ancient trees and forests, through a cultural and scientific lens. The piece was created for an outdoor exhibition called InLight, an international exhibition by Gallery 1708. Our group were the first ever independent high-schoolers to participate. For this piece we chose resin mainly for the clear yet solid effect. It turns out resin is more complicated than I thought, and my partner Ethan spent months molding it. To complete the piece, light and audio of wood chopping was added, providing an eerie, ghost-like experience. The result was worth it, something very challenging to pull off but beautiful nonetheless. Using a mindset of curiosity towards generational connections to nature, my work became inspired by Virginia and Appalachia. I spent time in Appalachia while working on a state park, and was very surprised to find that it held some of the oldest forests in the state, many of which are gone. What I discovered is both damage to our ecosystems and history after losing these areas. For example, the exhibition site—Pine camp in Richmond— is a large public space full of pine trees but also a historically segregated tuberculosis hospital. The trees were seen as beneficial, and adapted a historical role even today. My message to viewers of Old Growth is this: Bringing awareness to other aspects of environmental conservation, including cultural and historical, strengthens connections between people and nature. The stump forges a connection between our environments and found history, glowing in the night like a ghost of trees long gone. Old Growth aims to advocate for the future protection of forests and the memories they hold, so we may conserve generational culture and history.